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NEON INDIAN ERA EXTRANA ALBUM COVER WINDOWS
Soft Will, their third and final album, was a collection of sunny tracks that would instantly place the listener on a summer roadtrip to the beach with all of the windows down. Complete with catchy-as-hell melodies and building, bubbling guitars that acted as the sleaker and synthier counterpart to Girls’ ’60s-esque retro guitar pop, the Chicago band-led by brothers Cullen and Cameron Omori-were a midday festival mainstay, one of the most fun bands you’d see while roaming from stage to stage in the tail-end of the indie-rock boom. They may have burned out faster than their contemporaries Beach Fossils or Deerhunter, but for a few years in the early-to-mid 2010s, Smith Westerns were one of the best indie rock bands around. The Brooklyn band’s infectious melodies, keen self-awareness and shameless authenticity sweep through all 11 songs, making Wildewoman one of the most complete indie pop LPs this decade.
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The album offers empathy for the heartbroken and sultry fun for partiers, all backed by fuzzy guitars and polyrhythmic percussion. But Wildewoman’s true success comes by reintroducing retro girl-group swag to the 21st century at a time when it’s most needed. Most prevalent is a soulful ’60s vibe, courtesy of Wolfe and Laessig’s matching voices and wardrobes. At times almost country and other times impossibly hip, the band’s influences ring clearly, but not overpoweringly so. Wolfe and fellow frontwoman Holly Laessig sing in unison or in close tonal harmony throughout the record, bringing an extra dose of force to an album already fortified by strong song structures, substantive lyrics and precise playing. In honor of their 10-year celebrations, we’re counting down their 10 best records of Mom + Pop’s first decade.Ĭo-lead singer Jess Wolfe told Paste back in 2013, “We’re two voices singing as one.” And from the first vocal notes of “Wildewoman” on Lucius’ debut, her description couldn’t be more perfect. Founded by Michael “Goldie” Goldstone in 2008, the New York label is responsible for some of the most acclaimed records of the last decade, one of the few labels out there with something to offer virtually everyone. Their roster makes up an incredibly diverse set of sounds and genres, from the surf punk of Wavves to the skittish psychedelica of Jagwar Ma to Flume’s irresistibly catchy electronica, without losing any of the authenticity of a smaller indie label. The label-which turns 10 this week with a massive concert tonight at Brooklyn Steel in New York’s East Williamsburg featuring Courtney Barnett, Neon Indian, Sunflower Bean, Sleigh Bells, and more-isn’t so easy to pin down. But with Mom + Pop, things are more complicated. Ditto for 2010’s chillwave acts with a punk edge and Captured Tracks. It’s relatively easy to hear a Seattle-based early ’90s alternative rock band and think of Sub Pop.
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Indie-rock record labels usually have a distinct sound that unites much of its roster.